Drawing forms a fundamental part of my creative practice; the surface on which I choose to work becomes a depository for thought, observation, speculation, action and intuition. Drawing as an activity within my practice becomes a structure around which I can realise my own creative intention. I may start work with a specific end in mind or just as easily move intuitively from one action to another letting the marks that remain as a trace of my movements dictate the way in which I treat and explore the work’s exterior referent. Recently my work’s preoccupation has been with drawing as process, focusing on the culmination of traces of movements carried out in time.

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